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1942 Oscars

Here is the list of nominees, winners, and who, in my humble opinion, should have won the Oscar in all the categories.

The winner is in bold - my choice is underlined.


Outstanding Motion Picture

How Green Was My Valley – Darryl F. Zanuck for 20th Century Fox

Blossoms in the Dust – Irving Asher for Metro-Goldwyn-Mayer

Citizen Kane – Orson Welles for RKO Radio

Here Comes Mr. Jordan – Everett Riskin for Columbia

Hold Back the Dawn – Arthur Hornblow Jr. for Paramount

The Little Foxes – Samuel Goldwyn for RKO Radio

The Maltese Falcon – Hal B. Wallis for Warner Bros.

One Foot in Heaven – Hal B. Wallis for Warner Bros.

Sergeant York – Hal B. Wallis and Jesse L. Lasky for Warner Bros.

Suspicion – Alfred Hitchcock for RKO Radio


I didn't want to be like everyone else and cite Citizen Kane as the Best Film of the year. I wanted to dislike it. But I couldn't. While it's not my favourite film of the year, I believe it definitely was the year's most outstanding motion picture. It felt so different than the other movies up until this point. It felt like art! So I have to agree with all the critics. This scored 7.96/10 for me.

My second favourite movie was Suspicion, scoring 7.95/10, then Dumbo for third place (7.89/10).

My least favourite movie this year was All-American Co-ed (3.71/10).


Best Director

John Ford – How Green Was My Valley

Orson Welles – Citizen Kane

Alexander Hall – Here Comes Mr. Jordan

William Wyler – The Little Foxes

Howard Hawks – Sergeant York


Out of those nominated, I would go for Welles, but my favourite director for the year was Alfred Hitchcock for Suspicion. A fantastic example of a wonderful thriller.


Best Actor

Gary Cooper – Sergeant York as Alvin C. York

Cary Grant – Penny Serenade as Roger Adams

Walter Huston – All That Money Can Buy as Mr Scratch

Robert Montgomery – Here Comes Mr. Jordan as Joe Pendleton

Orson Welles – Citizen Kane as Charles Foster Kane


Technically, Humphrey Bogart in The Maltese Falcon was my favourite performance, but I'm a bit biased as I just think he's amazing. So out of the nominees, my favourite was Cary Grant. That scene in Penny Serenade where he was crying made me cry! All very strong performances though. My second Oscar for Grant in 2 years.


Best Actress

Joan Fontaine – Suspicion as Lina McLaidlaw Aysgarth

Bette Davis – The Little Foxes as Regina Hubbard Giddens

Olivia de Havilland – Hold Back the Dawn as Emmy Brown

Greer Garson – Blossoms in the Dust as Edna Kahly Gladney

Barbara Stanwyck – Ball of Fire as Katherine "Sugarpuss" O'Shea


I loved Stanwyck in Ball of Fire. Annoyed Fontaine won as I really didn't like her performance very much. Not such a strong year for the actresses as it was for the actors.


Best Supporting Actor

Donald Crisp – How Green Was My Valley as Gwilym Morgan

Walter Brennan – Sergeant York as Pastor Rosier Pile

Charles Coburn – The Devil and Miss Jones as John P. Merrick

James Gleason – Here Comes Mr. Jordan as Max "Pop" Corkle

Sydney Greenstreet – The Maltese Falcon as Kasper Gutman


Difficult one as they were all so amazing!! I've always through comedy is harder to act than drama and I was really impressed with Gleason. I have a soft spot for Coburn because he shouldn't be in this category, as his role and performance was main star energy.


Best Supporting Actress

Mary Astor – The Great Lie as Sandra Kovak

Sara Allgood – How Green Was My Valley as Mrs Beth Morgan

Patricia Collinge – The Little Foxes as Birdie Hubbard

Teresa Wright – The Little Foxes as Alexandra Giddens

Margaret Wycherly – Sergeant York as Mary Brooks York


The Supporting Actress list is so much stronger than the main Actress list for this year. All very strong performances. Man, I loved Astor in the Great Lie, but my favourite performance was Sara Allgood in HGWMV. Such a moving performance.


Best Original Screenplay

Citizen Kane – Herman J. Mankiewicz and Orson Welles

The Devil and Miss Jones – Norman Krasna

Sergeant York – John Huston, Howard Koch, Abem Finkel, and Harry Chandlee

Tall, Dark and Handsome – Karl Tunberg and Darrell Ware

Tom, Dick and Harry – Paul Jarrico


While not a massive fan of any of them, I have to agree that Citizen Kane should have won here.


Best Screenplay

Here Comes Mr. Jordan – Sidney Buchman and Seton I. Miller, based on the play Heaven Can Wait by Harry Segall

Hold Back the Dawn – Charles Brackett and Billy Wilder, based on "Memo to a Movie Producer" by Ketti Frings

How Green Was My Valley – Philip Dunne, based on the novel by Richard Llewellyn

The Little Foxes – Lillian Hellman, based on the play by Lillian Hellman

The Maltese Falcon – John Huston, based on the novel by Dashiell Hammett


I was a maasive fan of this screenplay and I think it rightly won the Oscar.


Best Original Story

Here Comes Mr. Jordan – Harry Segall

Ball of Fire – Billy Wilder and Thomas Monroe

The Lady Eve – Monckton Hoffe

Meet John Doe – Richard Connell and Robert Presnell Sr.

Night Train to Munich – Gordon Wellesley


I've already expressed my love for the screenplay of Here Comes Mr. Jordan, but I believe in sharing around the Oscars if possible, and I really liked the story of Night Train to Munich so I'll go with that one here.


Best Documentary Short Subject

Churchill's Island – National Film Board of Canada and United Artists

Adventure in the Bronx – Film Associates

Bomber: A Defense Report on Film – U.S. Office for Emergency Management Film Unit and Motion Picture Committee Cooperating for National Defense

Christmas Under Fire – British Ministry of Information and Warner Bros.

A Letter from Home – British Ministry of Information and United Artists

Life of a Thoroughbred – Truman Talley and 20th Century Fox

Norway in Revolt – The March of Time and RKO Radio

A Place to Live – Philadelphia Housing Authority and Philadelphia Housing Association

Russian Soil – Amkino

Soldiers of the Sky – Truman Talley and 20th Century Fox

War Clouds in the Pacific – National Film Board of Canada and MGM


I couldn't watch all of these, but out of the ones I watched, my favourite was Christmas Under Fire.


Best Live Action Short Subject, One-Reel

Of Pups and Puzzles – MGM

Army Champions – Pete Smith and MGM

Beauty and the Beach – Paramount

Down on the Farm – Paramount

Forty Boys and a Song – Warner Bros.

Kings of the Turf – Warner Bros.

Sagebrush and Silver – 20th Century Fox


I couldn't find any of these so can't judge.


Best Live Action Short Subject, Two-Reel

Main Street on the March! – Metro-Goldwyn-Mayer

Alive in the Deep – Woodard Productions, Inc.

Forbidden Passage – Metro-Goldwyn-Mayer

The Gay Parisian – Warner Bros.

The Tanks Are Coming – U.S. Army and Warner Bros.


I watched all except Alive in the Deep, and Main Street was my favourite.


Best Short Subjects – Cartoons

Lend a Paw – Walt Disney Productions and RKO Radio

Boogie Woogie Bugle Boy of Company B – Walter Lantz Productions and Universal

Hiawatha's Rabbit Hunt – Leon Schlesinger and Warner Bros.

How War Came – Columbia

The Night Before Christmas – MGM

Rhapsody in Rivets – Leon Schlesinger and Warner Bros.

Rhythm in the Ranks – George Pal Productions and Paramount

The Rookie Bear – MGM

Superman – Fleischer Studios and Paramount

Truant Officer Donald – Walt Disney Productions and RKO Radio


Tom and Jerry were absolutely robbed here. It was a spectacular cartoon. No way Disney should have won for that one!


Best Scoring of a Dramatic Picture

All That Money Can Buy – Bernard Herrmann

Back Street – Frank Skinner

Ball of Fire – Alfred Newman

Cheers for Miss Bishop – Edward Ward

Citizen Kane – Bernard Herrmann

Dr. Jekyll and Mr. Hyde – Franz Waxman

Hold Back the Dawn – Victor Young

How Green Was My Valley – Alfred Newman

King of the Zombies – Edward J. Kay

Ladies in Retirement – Morris Stoloff and Ernst Toch

The Little Foxes – Meredith Willson

Lydia – Miklós Rózsa

Mercy Island – Cy Feuer and Walter Scharf

Sergeant York – Max Steiner

So Ends Our Night – Louis Gruenberg

Sundown – Miklós Rózsa

Suspicion – Franz Waxman

Tanks a Million – Edward Ward

That Uncertain Feeling – Werner R. Heymann

This Woman is Mine – Richard Hageman


OK, hear me out. A lot of these scores are amazing. But the movie with the score I really liked wasn't nominated so I'm going to stick with it. My winner was The Sea Wolf - Erich Wolfgang Korngold. My third Oscar for him!


Best Scoring of a Musical Picture

Dumbo – Frank Churchill and Oliver Wallace

All-American Co-Ed – Edward Ward

Birth of the Blues – Robert Emmett Dolan

Buck Privates – Charles Previn

The Chocolate Soldier – Herbert Stothart and Bronisław Kaper

Ice-Capades – Cy Feuer

The Strawberry Blonde – Heinz Roemheld

Sun Valley Serenade – Emil Newman

Sunny – Anthony Collins

You'll Never Get Rich – Morris Stoloff


100% agree here. Absolute mastery.


Best Original Song

"The Last Time I Saw Paris" from Lady Be Good – Music by Jerome Kern; Lyrics by Oscar Hammerstein

"Baby Mine" from Dumbo – Music by Frank Churchill; Lyrics by Ned Washington

"Be Honest With Me" from Ridin' on a Rainbow – Music and Lyrics by Gene Autry and Fred Rose

"Blues in the Night" from Blues in the Night – Music by Harold Arlen; Lyrics by Johnny Mercer

"Boogie Woogie Bugle Boy of Company B" from Buck Privates – Music by Hugh Prince; Lyrics by Don Raye

"Chattanooga Choo Choo" from Sun Valley Serenade – Music by Harry Warren; Lyrics by Mack Gordon

"Dolores" from Las Vegas Nights – Music by Louis Alter; Lyrics by Frank Loesser

"Out of the Silence" from All-American Co-ed – Music and Lyrics by Lloyd B. Norlin

"Since I Kissed My Baby Goodbye" from You'll Never Get Rich – Music and Lyrics by Cole Porter


Again, absolutely agree. This song was so poignant and hard hitting. It made me cry.


Best Sound Recording

That Hamilton Woman – Jack Whitney

Appointment for Love – Bernard B. Brown

Ball of Fire – Thomas T. Moulton

The Chocolate Soldier – Douglas Shearer

Citizen Kane – John O. Aalberg

The Devil Pays Off – Charles L. Lootens

How Green Was My Valley – E. H. Hansen

The Men in Her Life – John P. Livadary

Sergeant York – Nathan Levinson

Skylark – Loren L. Ryder

Topper Returns – Elmer Raguse


I've gone with Moulton here.


Best Art Direction – Interior Decoration, Black-and-White

How Green Was My Valley – Art Direction: Richard Day and Nathan H. Juran; Interior Decoration: Thomas Little

Citizen Kane – Art Direction: Perry Ferguson and Van Nest Polglase; Interior Decoration: Al Fields and Darrell Silvera

The Flame of New Orleans – Art Direction: Martin Obzina and Jack Otterson; Interior Decoration: Russell A. Gausman

Hold Back the Dawn – Art Direction: Hans Dreier and Robert Usher; Interior Decoration: Samuel M. Comer

Ladies in Retirement – Art Direction: Lionel Banks; Interior Decoration: George Montgomery

The Little Foxes – Art Direction: Stephen Goosson; Interior Decoration: Howard Bristol

Sergeant York – Art Direction: John Hughes; Interior Decoration: Fred M. MacLean

The Son of Monte Cristo – Art Direction: John DuCasse Schulze; Interior Decoration: Edward G. Boyle

Sundown – Art Direction: Alexander Golitzen; Interior Decoration: Richard Irvine

That Hamilton Woman – Art Direction: Vincent Korda; Interior Decoration: Julia Heron

When Ladies Meet – Art Direction: Cedric Gibbons and Randall Duell; Interior Decoration: Edwin B. Willis

Sis Hopkins – N/A (Nomination withdrawn)


I get why HGWMV won as it was really good, but my favourite was Lionel Banks and George Montgomery for Ladies in Retirement. The house was like another character.


Best Art Direction – Interior Decoration, Color

Blossoms in the Dust – Art Direction: Cedric Gibbons and Urie McCleary; Interior Decoration: Edwin B. Willis

Blood and Sand – Art Direction: Richard Day and Joseph C. Wright; Interior Decoration: Thomas Little

Louisiana Purchase – Art Direction: Raoul Pene Du Bois; Interior Decoration: Stephen Seymour


My favourite was Blood and Sand. Beautiful art design! My third Oscar for Day!


Best Cinematography, Black-and-White

How Green Was My Valley – Arthur Miller

The Chocolate Soldier – Karl Freund

Citizen Kane – Gregg Toland

Dr. Jekyll and Mr. Hyde – Joseph Ruttenberg

Here Comes Mr. Jordan – Joseph Walker

Hold Back the Dawn – Leo Tover

Sergeant York – Sol Polito

Sun Valley Serenade – Edward Cronjager

Sundown – Charles Lang

That Hamilton Woman – Rudolph Maté


Hands down, this was Citizen Kane's award! My fourth Oscar for Tolland. Gee, I must be a fan!


Best Cinematography, Color

Blood and Sand – Ernest Palmer and Ray Rennahan

Aloma of the South Seas – Wilfred M. Cline, Karl Struss, and William Snyder

Billy the Kid – William V. Skall and Leonard Smith

Blossoms in the Dust – Karl Freund and W. Howard Greene

Dive Bomber – Bert Glennon

Louisiana Purchase – Harry Hallenberger and Ray Rennahan


Not a lot to choose from. This was the best.


Best Film Editing

Sergeant York – William Holmes

Citizen Kane – Robert Wise

Dr. Jekyll and Mr. Hyde – Harold F. Kress

How Green Was My Valley – James B. Clark

The Little Foxes – Daniel Mandell


My favourite wasn't nominated. Mine was That Hamilton Woman - William Hornbeck


Best Special Effects

I Wanted Wings – Photographic Effects Farciot Edouart and Gordon Jennings; Sound Effects: Louis Mesenkop

Aloma of the South Seas – Photographic Effects: Farciot Edouart and Gordon Jennings; Sound Effects: Louis Mesenkop

Flight Command – Photographic Effects: A. Arnold Gillespie; Sound Effects: Douglas Shearer

The Invisible Woman – Photographic Effects: John P. Fulton; Sound Effects: John Hall

The Sea Wolf – Photographic Effects: Byron Haskin; Sound Effects: Nathan Levinson

That Hamilton Woman – Photographic Effects: Lawrence W. Butler; Sound Effects: William H. Wilmarth

Topper Returns – Photographic Effects: Roy Seawright; Sound Effects: Elmer Raguse

A Yank in the R.A.F. – Photographic Effects: Fred Sersen; Sound Effects: Edmund H. Hansen

Dive Bomber – Photographic Effects: Byron Haskin; Sound Effects: Nathan Levinson (replaced)


I can't remember why I scored that movie so highly for effects, but I liked it obviously!




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